Showing posts with label portrait. Show all posts
Showing posts with label portrait. Show all posts

Sunday, February 10, 2013

Rediscovering the past

After achieving quite satisfactory results with the old glass-plate negatives that I mentioned in my previous post I started to look for more unwanted negs from Indochina from the French Colonial period. I returned to Vietnam in January revisiting some locations that I had not been to since 1997 but unfortunately did not find any old negatives along the way. But, just before I left on the trip I found some more on eBay and they were waiting for me on my return. Amongst those that I bought was this 6 x 13cm glass-plate negative of an old war veteran.

The seller, who lives in France, said that they belonged to his great grandfather who served with the Colonial troops in Africa and French Indochina but did not have much more information than that, although based on the clothing worn by the women in some of the portraits I deduced that they were from Tonkin (Northern Vietnam), most likely the North West and possibly even from Laos.

My hunch was confirmed when I produced a Cyanotype from the veteran's negative as I was able to identify the medal on his breast. It is one that I have in my collection, which I found in an antique shop in Vientiene in the early 2000's.  He is wearing the Lao Order of the Million Elephants and the White Parasol which was originally instituted in 1909 for "civil and military merit in the development of the Kingdom and for devotion to the Kingdom (of Laos)." There are several classes of this award and the subject is wearing the Knight division, which is one of the lower orders and was most likely awarded to this individual after ten years service in the military. I don't know much more about the subject of this photograph, but am hoping that the vendor who sold me the negatives can tell me a bit more about his great grandfather and I can start to add more pieces of information to the puzzle.


Friday, October 12, 2012

Travelers tales

Safaribob posing with dancers from the Royal Cambodian Dance troupe who just completed a performed in his honour. From the LIFE archive.

Choosing the right travel partner can have a major impact on one’s ‘holiday snaps’. The godfather of candid and street-photography style, Henri Cartier-Bresson was a hunter before he took up photography. His ‘decisive moments’ were not captured purely through being in the right place at the right time. His skill was to see the potential in a subject and then like a hunter laying in wait, strike when all the elements were lined up to ensure success. That instant in time when the shop keeper in a crowded local wet market looks up from arranging their produce and into your lens often makes all the difference. It may only take a minute or so to capture that instant, but your travel companions can quickly tire of constantly having to wait whilst you work your scene, looking for the right composition and all the elements to fall into place for that memorable shot. Insisting that you rise before dawn to get to a location when the light is ‘right’ or before all the other tourists arrive is often another source of tension. Many of us don’t have the luxury of choosing who will accompany us on holidays and do the best they can, but finding those kindred spirits can really make a difference. I’m fortunate in being surrounded by an assortment of eccentrics, degenerates, drunks and perverts who share my interests and tolerate my sometimes, odd proclivities.
An old French Indochina period postcard found in Phnom Penh. Text in French reads "157. Baphoun - Angkor. Monsieur Safaribob examine l'anus d'un animal mythique Khmère."
Safaribob and Black Thai concubine prepare to enter General Vo Nguyen Giap's Dien Bien Phu command post bunker to discuss war reparations.
I first met the infamous Safaribob during his stint as ‘special administrator’ at the Perth Centre for Photography. He had been forced to return to Perth for medical treatment, an unexpected consequence of his ‘field-work’ whilst working on a policy document on the role of Cambodian Karaoke Bars as a tool for bridging cultural divides
Another rediscovered photo from the LIFE archive!
'Safaribob's talents go well beyond international diplomacy and bridging cultural divides. A keen conservationist who prefers a hands on approach, here he can be seen subduing Thaksin, his pet crocodile (Crocodylus siamensis) which he found in the restroom during a function held in his honour at the famed Nana Plaza gentleman's club, Casanova. "It was one of the many surprises I encountered that night" he said. "But as always, I rose to the occasion and it's only right that I do my bit to look after these creatures, otherwise one day I'll have nothing to shoot"
Safaribob launching a safe sex campaign on behalf of the Saigon Board of Health and Sexually Transmittable Diseases. An expert in the language and practice of intimacy, Safaribob is also aware of the risks and believes in doing his part for the community. From the LIFE archive.
It was a fortuitous encounter, as Australia’s roving ‘Cultural Ambassador’ Safaribob is a legend within the diplomatic and anthropological community in South East Asia. Legend has it that there isn’t an opium den, gin-shack or house of ill repute east of the Irrawaddy river that has not had some contact with Safaribob. “His arrival would be greeted with some alarm” Said, fellow SEA expert, legendary cameraman, Neil Davis just prior to his untimely death in 1992. “DFAT would inevitably raise their travel warnings and one could feel the change on the streets soon after his arrival. He had an uncanny ability to arrive and then within days anti westerner sentiment reaches a climax, resulting in protests and brutal crackdowns by the security forces… I wouldn’t say trouble follows him but he does have a nose for it”.
SafariBob, Australian Cultural Ambassador to Indochina, explaining some of the finer details of General Văn Tiến Dũng's 324th Division advance through the streets of Saigon on the morning of April 30th, 1975. From the LIFE archive.
Rare portrait of Safaribob in the library of his summer residence. From the LIFE archive
Safaribob just smiles when I mention this. “When you tap into a community in search of its roots” he says, patting his latest personal assistant, miss Mai Sin on her backside as she prepares a pipe, “these things are bound to happen every once in a while”. He’s a man that should know having lived and worked in the region for several decades. Stories of drunken nights in dimly lit Vientiane ‘artisan clubs’ whilst accompanied by Henry Kissinger and General Vo Nguyen Giap are still recounted at consular cocktail parties. Indeed, having the ‘right’ kind of person as expert guide and travel companion does make all the difference.

Sunday, March 6, 2011

My father the artist

Glen aged 76, my father and artist
I'm in Melbourne for the weekend. Don't get here that much these days but made the trip for my brothers fortieth and to catch up mum and dad. It's been a good trip, spent Friday with dad at the Monash Gallery of Art which has one of the nation's most significant collections of photography and also the National Gallery of Victoria trying to absorb everything. Two days just aren't enough.

My interest in art and photography comes from my father. Dad is a keen artist, but at 76 his health is starting to fail. Surgery and all the usual ailments of getting old. Recently he was diagnosed as having Parkinsons disease and is concerned that his trembling hand is going to impact his ability to sketch, but he still seems to be doing alright to me. Part of his therapy for the Parkinsons is to maintain his practice, but like me he finds all sorts of distractions and reasons not to create. 

And one of my plans has been to shoot a portrait of him, but portraiture not being my strong point ... and me always finding other things to do, when I am here, has meant that I have never got around to it. But today, as he was sketching, I saw this starting to take shape and quickly grabbed the point & shoot. 

Not sure that it would make the shortlist for the Head On prize for portraiture (the deadline is March 13th btw) but it's a pic that resonates with me and one of the few portraits that I've done that I'm really happy with.


Thursday, January 21, 2010

Pic of the week

Mother & Child from the 'Long neck' Burmese Karen/Paduang ethnic minority group

Hand coloured B&W, silver gelatin print